Reviewed by Lory Martinez Last weekend (March 6-8), audiences piled into Binghamton University’s Watters Theater for the opening of Anne Brady’s production of Aaron Posner’s Stupid F##king Bird, loosely based on the Anton Chekov play The Seagull. The show, which addresses the nature of theater in a changing world, leaves one with a feeling of having seen something both incredibly absurd and thought-provoking. One of the best things about going to the theater is seeing a character we can relate to or seeing a scenario in which we can cast...
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