Tag Archives: Danielle Baker

Reviewed by Sherri Strichman Tri-Cities Opera's Sweeney Todd opened last night (April 29) at The Forum to the enthusiastic reception of the audience. This dark musical thriller by Stephen Sondheim (book by Hugh Wheeler) is a departure from TCO's standard operatic fare, yet it seemed to be the largest house in attendance since I began reviewing performances here. The story: A wrongfully convicted barber, Benjamin Barker, returns to London. He’d had a beautiful wife whom he loved, and the judge who desired her had him transported to a penal...
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Reviewed by Sherri Strichman We stepped back in time last night (Feb. 18) as Tri-Cities Opera presented an evening of 1950s fun, charm and drama. The double bill of one-act operas, Gian Carlo Menotti’s The Telephone and Leonard Bernstein’s Trouble in Tahiti, left the audience more than satisfied. Right from the start, we had vendors in great ’50s clothing and hairstyles (credit: Jana Kucera, costume plot designer, and Danielle Baker, makeup and hair designer) interacting with the audience as they carried their hanging trays of snacks. They sang...
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Reviewed by Tony Villecco Peter Ilitsch Tchaikovsky’s one-act opera, Iolanta, proved a sure-fire hit at its Binghamton premiere Thursday evening (Nov. 12) at the newly named Savoca Hibbitt Hall at the Tri-Cities Opera Center in Binghamton. Once again becoming a staple in regional houses, Iolanta was featured at the Metropolitan Opera for the first time earlier this year. As expected, the moving score did not let up for a minute, no doubt reflecting, in part, some of Tchaikovsky’s own deeply personal pain and his exuberance, as well. Originally intended...
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Reviewed by Sherri Strichman Tri-Cities Opera opened its season last night (Oct. 23) with a wonderful production of Rossini’s The Barber of Seville. It was beautiful to look at, thanks to scenic designer Robert Little, lighting designer John E. Vestal, costume designer Barbara Wolfe and coordinator Jana Kucera, and makeup and hair designer Danielle Baker. The plot, in 50 words or less: Count Almaviva, disguised as a poor student, Lindoro, enlists the aid of Figaro the barber in courting Rosina. She is kept under strict watch by her guardian,...
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