Reviewed by Lee Shepherd
[caption id="attachment_42908" align="alignright" width="300"] J.W. Wells faces his doom at the end of "The Sorcerer."[/caption]
The Summer Savoyards' The Sorcerer created magic last night (Friday, July 14) in the Anderson Center Chamber Hall at Binghamton University. One of Gilbert & Sullivan's lesser-known comic operas, presented here as a "staged concert," didn't skimp on much. It featured the full-length score and script, but minimal sets and costumes. The show is full of humor and pathos, timely...
Reviewed by Tony Villecco
Writing a short story can be challenging; writing a research paper can be daunting. But to actually compose a full-scale musical must be something akin to sitting in the dentist's chair and waiting for the Novocain to kick in. Where to start? How to revise? Months of painstaking workmanship finally giving way to relief and, hopefully, a contented author. (more…)...
Reviewed by Barb Van Atta
Nothing like a good “Imperial March” to prove how meaningful orchestral music is in your life.
A near-capacity crowd Thursday (May 4) cheered and clapped with delight as John Williams’ sweeping intergalactic themes filled The Forum in Binghamton for “The Music of ‘Star Wars’: The Symphony Strikes Back.”
Under the baton of its principal guest conductor, Daniel Hege, the Binghamton Philharmonic Orchestra concluded its 2016-17 season with a tribute to the 40 years of Star Wars movies, charming both the music lovers and the...
Reviewed by Lee Shepherd
The Binghamton Philharmonic's concert Saturday (April 29) at The Forum in Binghamton should have been called the battle of the show-stoppers.
A massive (nearly an hour long) Brahms' piano concerto with guest artist Andrew Russo filled the first half of the concert; the second half of the program ended with Stravinsky's exhilarating Firebird Suite, a show-stopper to end all show-stoppers.
In between, we sampled a Viennese delicacy, Mozart's overture from The Magic Flute.
Russo, playing Brahms' Concerto for Piano No. 1, Op. 15, in D...
Reviewed by George Basler
A lot of words could describe Hydrogen Jukebox: experimental, anti-establishment, provocative and surreal.
So Tri-Cities Opera deserves credit for taking on this challenging work in a production that opened April 21 and will continue with performances this weekend.
The production is admirably directed by Alison Moritz and well sung by a cast of six young performers. The opera itself, however, is a mixed bag with moments of emotional intensity and beauty intermixed with stretches of hippie-dippy musings that a young Woody Allen would have had...
Holy Week approaches on the Christian calendar, and with it comes the waving of palms, the washing of feet, penance, hot cross buns, the Cadbury bunny and (holy moly!) the 47-year-old rock opera by Andrew Lloyd Webber and Tim Rice, Jesus Christ Superstar.
Directed by Patrick Foti, the Endicott Performing Arts Center's production goes as large-scale as a show can on the cozy stage...
By Barb Van Atta
For its 69th season, Tri-Cities Opera again will divide its performance time between Broome County’s performing arts center and the opera company’s own newly refurbished headquarters.
The season will open at The Forum, 236 Washington St., Binghamton, with a fully staged production of Puccini’s lyrical heartbreaker La Boheme. The 3 p.m. Oct. 15 performance will star Meroë Khalia Adeeb (Mimi), Jordan Schreiner (Rodolfo), Stacey Geyer (Musetta), Scottt Purcell (Marcello) and Schaunard (Jake Stamatis). All are debuting their role.
La Boheme will be sung in...